THE BUTTERFLY | Vocal Cycle HALLEL
Cross-Art Microfilm

THE BUTTERFLY

A Cross-Art Microfilm from the HALLEL Cycle
An ART Imaginarium Initiative for Peace
A Global Call: Children’s Voices Matter

In an era of profound global fragmentation, a new artistic form emerges with a singular and urgent purpose: to restore human connection through consciousness, empathy, and shared ethical responsibility.

“The Butterfly” is the first Cross-Art Microfilm of the HALLEL cycle, created within the international ART Imaginarium initiative under the auspices of the Culture & Art Creators Guild (CACG). Conceived as a universal act of remembrance and awakening, the film exists at the intersection of music, poetry, visual art, and moral reflection.

The work is based on the vocal cycle “HALLEL” by composer Natalia Rojcovscaia-Tumaha — a deeply moving collection of four a cappella choral compositions built upon poems written by children from different parts of the world who have experienced war, displacement, and profound loss. Forged in the crucible of conflict, these texts radiate spiritual clarity and inner strength, standing in stark contrast to the hatred and cruelty that surround them. Fragile like butterflies, yet eternal in essence, their words form an unwavering appeal to the conscience of humanity.

More than a film, “The Butterfly” is an act of regeneration through the healing synergy of the arts. It unfolds as a living mandala — not to narrate history, but to awaken awareness; not to instruct, but to reconnect us with our shared humanity.

Narrative Essence

At the heart of the film lies a poem written by a young boy — a pure soul, frightened yet unbroken — who finds moral refuge in nature. For him, the butterfly becomes a profound symbol of transformation, inner freedom, and liberation from oppression.

Through the innocence of the child’s inner world — a microcosm of untainted light — the film reveals a devastating macrocosmic truth: humanity has failed in its most sacred duty — to protect its children. This failure is not incidental; it is systemic. While possessing god-like power through nuclear energy, artificial intelligence, and advanced technologies, humanity lacks the wisdom of the soul to govern them ethically. Technological acceleration has dangerously outpaced spiritual evolution, leaving society armed with immense force yet deprived of universal humanism.

Children must not become hostages of our moral immaturity.
They are not merely the future — they are the very meaning of our present.

Why This Film Matters Now

“The Butterfly” responds to a world in which childhood is increasingly endangered. It functions simultaneously as:

• A mirror, compelling us to confront the consequences of indifference and violence.

• A prayer, rising as a collective voice of human conscience, so that no child’s cry is lost to history.

• A plea, calling for a global paradigm shift toward empathy before technological power extinguishes the last remnants of moral awareness.

“There are no other people’s children.” — Oscar Brenifier

This film becomes a vessel for that truth. To honor children is to honor the highest potential within ourselves. Their innate capacity for wonder and unconditional love stands as an antidote to the cynicism and fragmentation of our age.

“The Butterfly” is a universal testament to peace — not as the mere absence of war, but as the living presence of deep understanding, solidarity, and unity between humanity and the planet.

The film is complete.
The vision is clear.
Now, the dialogue begins.

This is an invitation to co-create a future in which conscious being, harmony of thought and action, and ethical responsibility illuminate minds, uplift hearts, and safeguard the miracle of childhood.

Children’s Voices Matter.
May this be the moment when we not only hear them — but finally respond.